Black Performance on the Outskirts of the Left Todd Gitlin Armed with first-person accounts from
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Black Performance on the Outskirts of the Left Todd Gitlin Armed with first-person accounts fromArticulates the role black theatricality played in the radical energy of the sixties Black Performance on the Outskirts of the Left illustrates the black political ideas that radicalized the artistic endeavors of musicians, playwrights, and actors beginning in the 1960s. These ideas paved the way for imaginative models for social transformation through performance. Using the notion of excessits transgression, multiplicity, and ambivalenceMalik Gaines
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